Canon C700 PL/EF

Description

The next generation EOS C700 Digital Cinema Camera is the camera that so many cinematographers having been asking for from Canon and incorporates what Canon has learned through professional feedback over the last five years since the original Cinema EOS C300 was announced.

Canon’s new EOS C700 Super35 format camera is designed to be a flexible “A” camera for various types of shooting scenarios. The EOS C700 features both internal 4K ProRes and XF-AVC recording. With the optional 4K Codex CDX-36150 recorder, the EOS C700 is capable of recording uncompressed RAW up to 120 frames per second.

As Canon’s flagship cinema camera, the EOS C700 features the choice of one of two new Super 35mm CMOS sensors. With three models to choose from, users can choose the best tool for their shooting requirements. The EOS C700 is available in both EF and PL versions and features a pixel resolution up to 4.5K, a dynamic range of 15 stops and Dual Pixel CMOS AF (DAF). The PL mount only EOS C700 GS PL features 14 stops of dynamic range, up to 4.2K resolution and a Global Shutter.

The EOS C700 also includes a variety of 2K/HD recording options featuring frame rates up to 120 fps using the full frame of the sensor, and up to 240 fps in 2K crop mode.

The rugged magnesium body features rounded edges and semi-circular sides behind the lens mount that hint at the Canon Cinema design legacy. The EOS C700 can be equally comfortable handheld, shoulder-mounted, on a tripod head, gimbal rig or rigged to a car mount.

The EOS C700 is designed for professionals and incorporates “must have” features that users have asked for. The versatile design allows the EOS C700 to be compatible with a wide variety of lens configurations including EF, PL, B4 with (with optional adapter), and Anamorphic.

Other key features of the camera system include Dual Pixel CMOS AF (EF Model Only), optional Professional OLED HD viewfinder, Canon Log 2 and 3, Slow and Fast Motion Recording, ACES Support, SMPTE 2084 HDR Monitoring, 10 stops of internal ND filtration, and IP Streaming.

Breathtaking internal 4K recording capabilities up to 810Mbits/sec

Up to 15 stops of latitude and high frame rates

Supports SMPTE ST .2084 monitoring and ACES 1.0 plus internal ProRes/XF-AVC or optional external RAW recording

Intuitive operation, accurate autofocus, built in 10-stop ND, plus optional wired or wireless Wi-Fi control

Extensive lens support includes anamorphic, EF, PL, and B4; modular design with Shoulder Support Unit and EVF

Robust construction, power outputs and powerful V-lock battery support, ideal for broadcast and movie industries

Can use the following recording mode when using the Codex CDX-36450 recorder:

4K/QFHD ProRes

4.5K Max 100 fps

4.5K cinescope 120 fps

422 HQ 10 bit 60 fps

2K